This number of shows that takes as their motivation the stories that form north mythology that is american yarns and fables owned by cowboys, Indians, voyageurs, spinsters, and big town Horatio Algers. These are stories which were glamourized by popular tradition, and which occur in iconic proportions. Yet they have been reasonably young, flexible tales, only 200 years of age. Dempsey and Millan flex them so they really mirror a various viewpoint. By imposing a lesbian that is ironic feminist reading/retelling upon these stories, they illuminate our history and our current, and produce alternate archetypes that propose brand new “new globes. ”
The brief Tale of minimal Lizzie Borden is a piece that posits rage as a justifiable, certainly rational psychological a reaction to modern globe occasions. There are two main elements to the work, a printed text this is certainly directed at the viewers become read at their leisure, and a performance that examines a woman’s anger that is modern. The narrative that is written the storyline associated with the childhood of Victorian murderess, Lizzie Borden, who had been accused of killing her moms and dads. The live performance tells a tale of present-day kleptomania, grooming, and the rush to war in contrast to the print work’s 19th century, poetic style. Within an irony-laden tirade, Dempsey describes why she steals women’s publications.
“This just isn’t a tool. This isn’t an axe. That is a hatchet. A smaller sized, scaled straight down, more feminine, less version that is effectual. Maybe perhaps Not an instrument, an accessory! And add-ons create interest. ”
Duration: five full minutes.
First performed: October 2001, Finding Feminisms conference, Mentoring Artists for Women’s Art, Winnipeg, Manitoba
Printed text posted in Bedtime tales for the side of the World, Arbeiter Ring Press, 2012
Photos by William Eakin and Elaine Stocki
Other pieces that are live the show through the Headless Woman additionally the Lesbian appreciate tale regarding the Lone Ranger and Tonto. Skip Gray’s Marvellous Truth device exists being an installation and recording on plastic.
Winnipeg Tarot Company
The Winnipeg Tarot Co. As well as its hope and enlightenment professionals offered tarot that is free readings throughout Winnipeg through the autumn of 2010. Well-known designers from a number of procedures staffed the portable tent that is fortune-telling Shawna Dempsey (performance musician), Sandee Moore (performance musician), Ian Ross (playwright), Ross McMillan (star), John K. Samson (musician and journalist), Caroline Gray (puppeteer and playwright), Rodrigo Munoz (musician), Maggie Nagel (star), Christine Fellows (musician) and Charles LeBlanc (author and star). Readings had been obtainable in Spanish, French, Japanese and English. The team of art-intuitives travelled from senior domiciles to shopping centers, the airport to your hockey arena, for five days, making use of Winnipeg’s effective emanations that are psychic. The device of the trade ended up being an entirely redesigned tarot card deck featuring sites that are well-known icons of Winnipeg, produced by Dempsey and Millan, illustrated by Bonnie Marin and created by Mike Carroll.
The performance began at Portage destination Mall on Saturday September 25, 2010. Also prior to the tent ended up being put up, a two-hour line-up formed, including an octogenarian World War II war bride along with her Canadian-born spouse, teens nevertheless awake type partying the evening before, a Latin American healthcare worker on her behalf method to work, a businessman in a suit and tie, a greatly tattooed biker, and an architecture pupil. Only at that and also at all the other venues, audience/participants originated in all parts of society to unburden on their own and get concerns concerning the way and meaning of the life. The closeness between your musicians therefore the individuals at those brief moments had been profound. Even though the designers prefaced each session because of the words, “I cannot browse the future”, individuals brought their hopes and worries, plus they had been paid attention to.
Re re Payment for the service that is fortune-telling just accepted in tales about Winnipeg. Residents could also go right to the site and now have a card that is electronic and key in their Winnipeg stories. Over the course of the task nearly 1000 stories had been gathered and soon after deposited when you look at the Winnipeg Archives.
This Cultural Capitals task, commissioned because of the Winnipeg Arts Council, tapped in to the miracle and secret of our town, and developed a significant intersection between music artists and citizens to share our provided futures.
To https://www.camsloveaholics.com/couples/redhead own your fortune read, hear a whole tale or keep a tale, head to http: //winnipegtarotco.ca.
Duration: 5 days
Performed: and October 2010, throughout Winnipeg, Manitoba, in coffee shops, parks, libraries, cafes, etc september.
Photos by Lorri Millan and Leif Norman
The ways that press has changed our relationship to language and activism is explored through thi narrative that is first-person that your symbols of terrorism literally drop through the roof.
It’s estimated that over the following two hundreds of years, 40% associated with the world’s extant languages will no much longer be modern modes of thought or expression. During the time that is same “dominant” languages are devolving in to the brevity of marketing journalism. Sentence length is shrinking, and descriptives are noticed as superfluous. With this specific de-languagification, principles in addition to countries are increasingly being lost. These shows consider the irony associated with the known proven fact that, at the same time as soon as we have actually the way to discussion and advocate locally, nationally and globally, we losing the very language with which we communicate.
“The following performance contains no nudity, physical physical physical violence or language that is coarse. No pets had been harmed within the creation with this piece, with no meat will be ready or consumed on phase. Be forewarned that you will have no strobe lights, fireworks or pyrotechnics of every type or sort, with no gunshots are going to be fired. What you are actually planning to see will bore young ones, older people, and people of you in-between. Time will crawl by and you may curse the close friend who brought you right right here. You can expect to give consideration to asking for the cash back, but that could need private conversation with the performer and after that you may never ever move out of right right here (laugh). No, tonight’s spectacle will in no means be spectacular. In fact the spectacular is going to be studiously avoided, which means this won’t be a lot of a spectacle after all. ”
Duration: 20 mins
First performed: 2006, Studio XX, Montreal, Quebec october
Photos by William Eakin